01 / Note
A long film is not a short record with more minutes. It has its own weather: an argument can disappear, a room can fall quiet and a gesture can become important only after we have almost forgotten it. Our editorial structure must leave enough space for those changes to happen.
长篇影片并不是时长增加的短记录。它有自己的天气：一个论点可能暂时消失，房间会安静下来，一个动作也可能在我们几乎忘记它之后才显出重要性。我们的编辑结构必须为这些变化留下足够空间。
Duration is part of the record / 时长也是资料
We keep the complete running time visible. Chapters help a reader return to a moment, but they do not replace the movement between moments. A pause, a repeated answer or the time needed to approach a difficult subject belongs to the work as much as a quotable sentence does.
我们保留完整片长。章节可以帮助读者返回某个时刻，但不能取代时刻之间的移动。停顿、重复的回答，以及靠近困难话题所需要的时间，都和一句可引用的话同样属于作品。
Transcript beside image / 转写与画面并置
A transcript makes speech searchable, yet it loses posture, distance, overlap and the pressure of a location. We therefore place text beside the image and attach timecodes to passages that carry an argument. The written layer remains a route back to the film, not a substitute for watching it.
转写让语言能够被检索，却会失去姿态、距离、重叠的声音和现场压力。因此，我们把文字放在画面旁边，并为承担论证的段落标注时间码。文字层始终把人带回影片，而不是取代观看。
A public route / 公共入口
Complete films published through YouTube can enter this system with bilingual titles, chapters, people, a filmography and links to the questions they reopen elsewhere in the archive. The platform supplies access; the editorial work builds the relations around each film.
通过 YouTube 公开的完整影片，可以带着双语标题、章节、人物、影片目录，以及它在档案其他位置重新打开的问题进入这里。平台提供观看入口，编辑工作则为每部影片建立关系。