01 / Attendance is not participation / 到场不等于参与

A crowded room can still preserve a one-way structure. Participation begins only when the frame gives people a consequential choice: they can redirect a discussion, change a material process, withhold speech, introduce another memory or question the terms of the encounter. The measure is not how many bodies appear in a photograph, but what those bodies were permitted to affect.

一个拥挤的房间仍可能维持单向结构。参与只有在框架给予人们具有后果的选择时才开始：他们可以改变讨论方向、调整材料过程、拒绝发言、引入另一段记忆，或质疑相遇本身的规则。衡量标准不是照片里出现多少身体，而是这些身体被允许影响什么。

02 / Facilitation is distributed authorship / 引导是一种分布式作者性

The facilitator authors thresholds rather than outcomes: the first invitation, the pace of response, the redistribution of speaking time, the handling of disagreement and the care that allows hesitation to remain. This authorship is real but limited. It composes conditions without claiming ownership over everything participants contribute.

引导者编排的是门槛而不是结果：最初的邀请、回应的节奏、发言时间的再分配、异议的处理，以及允许迟疑继续存在的照料。这种作者性真实存在，却有明确边界；它组织条件，但不占有参与者贡献的一切。

03 / Matter can carry negotiation / 材料能够承载协商

Shared making moves discussion beyond verbal consensus. Hands, tools, surfaces and provisional objects register different speeds and capacities. Material can expose where an instruction is unclear, whose labour becomes invisible and how a collective decision is revised through action. The workshop becomes a small political space because form is negotiated in public.

共同制作把讨论带出语言共识。手、工具、表面与临时物件记录不同的速度与能力。材料能够暴露指令何处含混、谁的劳动被隐去，以及集体决定如何在行动中被修改。工作坊之所以成为微型政治空间，是因为形式在公共现场被协商。

04 / A camera changes the workshop / 镜头会改变工作坊

The moment a camera enters, participants become aware of how they may later appear. Some gestures grow more deliberate; others disappear. We therefore treat documentation as part of the situation, not as an invisible observer. The image should stay close to the work of hands, materials and shared attention without turning participation into a performance for the camera.

镜头进入现场的那一刻，参与者便会意识到自己将如何被看见。有些动作变得更明确，另一些则随之消失。因此，我们把记录视为情境的一部分，而非隐形观察者。图像应贴近手、材料与共同注意的过程，而不把参与变成一场为镜头准备的表演。

05 / What remains after everyone leaves / 人们离开之后留下什么

A workshop leaves more than objects. It leaves altered instructions, phrases that return later, new affinities and small changes in how a group can work together. We follow these residues because they show whether participation changed the situation or merely decorated it. The work continues wherever those changes are carried next.

工作坊留下的不只是物件，也留下被改写的指令、后来再次出现的话语、新的连接，以及一群人共同工作方式里的细小变化。我们追随这些余留，因为它们能够说明参与究竟改变了情境，还是只为情境增添装饰。作品在这些变化被带往下一处时继续发生。